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Powerful People

Welcome to Ashok Mishra

The two Hindi films that writer Ashok Mishra is popularly associated with in the cine-goers’ mind are Shyam Benegal’s Welcome to Sa...

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Powerful People

Salim Arif: His Work of Many Parts

It is a daunting task to undertake summarising Salim Arif’s multifaceted talent and work resume in a few pages, writes ...

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Movies

Similar strokes

Call it a coincidence or plain copycatting. Film historian, Dhruv Somani, writes on the curious clashes between Bollywood film...

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Bollywood

Pivotal, Not Seminal: Indian Matchmaking

Since its release a couple of weeks back, Indian Matchmaking, has raced to the top of the charts for Netflix in India, writes Dr Sandee...

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Alternative Entertainment

Just Carry on: Ebrahim Alkazi

Aparajita Krishna walks you through the life and times of Ebrahim Alkazi; also what it was, that he meant to Indian Theatre.

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Retroscope

Chann Pardesi: Reuniting with the cult-classic

Aparajita Krishna writes, Chann Pardesi would be a stranger to the young cine-goer, India 2020, including the young diaspora g...

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Alternative Entertainment

Shot by Shot: Politics of photography

Young photographer Vatsal Shah writes on the obstacles ...

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Bollywood

Applause: In conversation with Saiyami Kher

Khalid Mohamed in a frankspeak with Saiyami Kher, who has made a huge impact with her performance as a housemaker-cum-bank emp...

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Movies

Guns & Roses: Bollywood’s Dacoit Women

Film historian Dhruv Somani reminds you of the time when women characters wouldn’t take nonsense from the Thakur potenta...

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Bollywood

Minority Report

Khalid Mohamed writes on the ceaseless ghettoization of Muslim characters in B-town’s mainstream movies, and now web ser...

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